ANTTI TANTTU
Woodcuts and aquarelles
23.11.2013 – 22.12.2013

The final hiding places, 2013
woodcut and mixed media on mdf-board
130 x 207 cm

 ANTTI TANTTU

The Human Voice

It has been said of Antti Tanttu that he creates his art in a post-God reality, in which man must make himself into the Übermensch to replace God. The idea derives from Friedrich Nietzsche, rather unjustly dubbed as the God killer. But Nietzsche does not rejoice at the death of God, on the contrary, the very notion terrifies him:

"Whither is God?" he cried; "I will tell you. We have killed him — you and I. All of us are his murderers. But how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon?" (Friedrich Nietzsche: The Gay Science, 1882, trans. Walter Kaufmann).

It is true that even at its most mischievous, Antti Tanttu´s art is imbued with a cosmic loneliness reminiscent of Nietzsche, but it seems to me that his art actually stems from a time before the birth of God, not after His death. Tanttu´s earthly pilgrimage is not the wanderings of a soul banished from paradise. He is crossing a desert but never stops to glance over his shoulder hoping for a sight of paradise lost. If paradise does exist, it is ahead of him, not behind.

In Tanttu we have a journeyman of such passion that the eternal peace of paradise would hardly be to his taste, even if such a paradise did exist and he found his way there. Paradise, for him, would be a mere oasis, a momentary rest.

A wheelchair, the symbol of injury, often features in Antti Tanttu´s works. French author Jean Genet´s definition of art is one that, I believe, Tanttu would approve of: "There is no other source of beauty than the wound, singular, different for each person, hidden or visible, which each man keeps within himself, which he preserves and where he withdraws when he wants to leave the world for a passing but profound solitude." (Jean Genet: The Studio of Alberto Giacometti, 1957, trans. R. Howard).

Alongside the wheelchair, the theme of flight, the symbol of a yearning for freedom, is strongly present in Tanttu´s work. But the wound is ever-present: the figure in flight has just one wing and, unlike Icarus, he is not flying towards the sun, never mind too close to it. He is flying through the night; the moon will not scorch his one lone wing.

"I can´t commission my own works. If you force it, it shows." These words, expressed during my latest conversation with Antti Tanttu, are imbedded deep in the recesses of my memory. The artist labours in solitude, accompanied only by the paradox that art cannot be created, it is born. When the tectonic plates of the subconscious collide and shift, shockwaves are sent through the surface.

The titles of Tanttu´s works are a fundamental part of the message he wishes to convey to his audience. I cannot recall more than one or two unnamed works from a career spanning a quarter of a century. Of the relationship between his works and their titles, Tanttu has said the following: "I will not name anything in advance. First I create the piece, and then the name follows. The process for the emergence of both is equally unknown to me."

The face of the human figure in Voice of Man is superimposed onto a set of stylised musical staves. The viewer must decide whether the figure is listening to the human voice or is the source of that voice. The figure has both a mouth and ears. Perhaps the best interpretation is to conclude that he is both creating the voice and listening to it. Thus, the viewer is invited to participate in the dialogue and an Adornoesque miracle takes place, the very essence of all art is realised: the viewer sees the artwork, and the artwork sees the viewer. The two meet like Martin Buber´s I and Thou.

Torsti Lehtinen MA, author, philosopher

Siirry sivun alkuun
tanttu/2013/koettelemus_netti

The Ordeal, 2013
woodcut and mixed media on mdf-board
150 x 150 cm

tanttu/2013/yolento_netti

Night Flight, 2013
woodcut and mixed media on mdf-board
150 x 150 cm

tanttu/2013/tanttu1_netti

The harbinger, 2013
woodcut and mixed media on mdf-board
150 x 150 cm

tanttu/2013/alkulelu_netti

Early toy, 2013
woodcut and mixed media on mdf-board
110 x 94 cm

tanttu/2013/yksinaisenmiehenjuhlat_netti

A Lonely Man's Gathering, 2013
woodcut and mixed media on mdf-board
135 x 122 cm

tanttu/2013/enne_netti

An Omen, 2013
woodcut and mixed media on mdf-board
80 x 80 cm

tanttu/2013/unissakavija_netti

Sleepwalker, 2013
woodcut and mixed media on mdf-board
150 x 150 cm

tanttu/2013/lohdutus_2013_netti

Consolation, 2013
woodcut and mixed media on mdf-board
130 x 207 cm

tanttu/2013/ihmisenaani_netti

Voice of Man, 2013
woodcut and mixed media on mdf-board
80 x 80 cm

tanttu/2013/peilinsuura2013_netti

The Surah of the Mirror, 2013
woodcut and mixed mecia on mdf-board
80 x 80 cm

tanttu/2013/muistinkatvealue_netti

The Recesses of Memory, 2013
woodcut and mixed media on mdf-board
150 x 150 cm

tanttu/2013/malabarista_2013_netti

Malabarista, 2013
woodcut and mixed media on mdf-board
110 x 94 cm

tanttu/2013/akvarelli2_netti

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/akvarelli4_netti

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/Sarjasta_Yovuoro_6_netti

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/akvarelli6-_nettijpg

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/Sarjasta_Yovuoro_2_netti

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/Sarjasta_Yovuoro_5_netti

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/akvarelli5_netti

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/Sarjasta_Yovuoro_4_netti

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/Sarjasta_Yovuoro_3_netti

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/ksi_netti

From Nightshift series, 2011-2013
aquarelle
55 x 42 cm

tanttu/2013/akvarelli1_netti

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/akvarelli3_netti

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/sarjastaYovuoro_2011_2013

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

tanttu/2013/Yovuoro_2011_2013

From Nightshift series, 2011-2013
aquarelle
55,5 x 42 cm

 
 
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